《异端》Didier Konings’ simmering mediaeval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods. Shot in a reduced colour palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world.,红姐扫看了一眼所有的队长,最后目光停留在了穿着红色嫁衣的何月莲身上,她打量了好一会儿,然后才对着杨间说道:「我只是比较喜欢热闹罢了,这里闹得这么凶我怎么可能不来看看,不过你来晚了,我已经把那些人给干掉……
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